TRACK LISTING
SIDE ONE
1. Colonel Bogey (K.J. Alford) introducing
excerpts from River Kwai
March (Arnold)
2. Theme from LAWRENCE OF ARABIA
(From Film of Same Name)
(Jarre)
3. GUNS OF NAVARONE
(From Film of Same Name)
(Tiomkin/ Webster)
4. BATTLE OF BRITAIN Theme
(From Film of Same Name)
(Goodwin)
5. Theme from WHERE EAGLES DARE
(From Film of Same Name)
(Goodwin)
SIDE TWO
1. 633 SQUADRON
(From Film of Same Name)
(Goodwin)
2. THE DAM BUSTERS
(From Film of Same Name)
(Coates)
3. THE GREAT ESCAPE MARCH
(From Film of Same Name)
(Bernstein/ Stillman)
4. THE GREEN BERETS THEME
(From Film of Same Name)
(Rozsa)
5. Theme from IS PARIS BURNING?
(From Film of Same Name)
(Jarre)
6. Theme from REACH FOR THE SKY
(From Film of Same Name) (Addison)
Recording Engineer: Peter Brown
A SUPERTUNES PRODUCTION P1971
“Roger,
over and out.” The planes rose steeply then began their frantic dive down,
down towards the target
“There
are the guns. Keep absolutely quiet we must not be seen
“The
only way in is to scale the walls.”
“OK
you guys, the objective is dead ahead.”
This
is an evocative album. It is an album containing twelve themes from war
films. It covers almost all of the twenty-five years since the war ended.
It will bring back memories to those who were old enough to be involved
and it will provoke tales to be told to those who were too young. The films
from which these themes have been taken are based both on fact and on fiction.
It is not always easy to decide which is which. They can be said to represent
truth or to represent adventure stories of the highest order. What is
a fact is that since the war literally hundreds of war films have been
made and that cinema audiences have flocked to see them. One might well
ask why this is so but it is not really necessary to come to any conclusions
here. They can be made as you listen to this record. 1957 saw THE BRIDGE
ON THE RIVER KWAI receiving a whole batch of Oscars at the Academy Awards.
As well as best picture and best actor (the superb Alec Guiness) it also
won an award for the best music. COLONEL BOGEY has been sung end whistled
all over the world since. It is interesting to note that this particular
theme incorporates two types. COLONEL BOGEY by Alford and THE RIVER KWAI
MARCH by Arnold.
Five
years later LAWRENCE OF ARABIA a film of epic grandeur collected its own
share of Oscars and again the soundtrack music was a winner. Maurice Jarre
(who also wrote the score for Dr. Zhivago) has written a memorable score
that is a perfect background to the story of that enigmatic man T. E. Lawrence.
Gregory
Peck ‘did his bit for the war effort’ in THE GUNS OF NAVARONE. This was
an exciting adventure story based on the novel by Alistair MacLean. It
was one of the most popular films of 1961 and the theme music by Dimitri
Tiomkin did its fair share in achieving this success.
THE
BATTLE OF BRITAIN theme comes from the most recently released film on this
album. This story of the ‘glorious few’ appeared in the cinemas last year
and has been doing great business. Ron Goodwin has written the music for
many war films and here we have a very good example of his talent for writing
music that matches perfectly the mood of a film. THE LONGEST DAY a film
about D Day has an all star cast that included John Wayne and Robert Mitchum
but it was not a particularly big box-office success. The theme music from
this film may recall a visit to the cinema in 1963 when this film first
appeared.
Side
One ends with the theme from another great adventure story WHERE EAGLES
DARE: This too was adapted from an Alistair MacLean novel and with stars
like Richard Burton and Clint Eastwood it couldn’t fail. It has certainly
been one of the most popular films of the last two years. Ron Goodwin also
wrote the score for this film and he captures in musical form all the excitement
and tension of the film.
Side
Two opens with a third Goodwin theme this time from 633 SQUADRON. These
days it is the rousing theme that is best remembered and it is played again
and again on the radio. For the record the film starred Cliff Robertson
and George Chakiris.
One
of the best war films of the fifties was THE DAM BUSTERS the story of Barnes
Wallis’ bouncing bomb and the squadron that used it. The theme has always
remained popular.
Elmer
Bernstein has written a great deal of music for the cinema and its effective
use as background to a story can be seen in the music for THE GREAT ESCAPE.
Fans will remember too the fantastic stunt riding of Steve McQueen as he
hurled his motorcycle at the barbed wire fence surrounding the prison camp.
Mikios
Rozsa is known mainly as a composer for biblical epics such as King of
Kings. Ben Hur and Quo Vadis. For THE GREEN BERETS he wrote a rousing score
that highlighted the action of the film. A film by the way that caused
a wave of anti-war demonstrations throughout the world when it was released
in 1968. John Wayne was star of this controversial film.
Maurice
Jarre wrote the music for IS PARIS BURNING? and despite a star studded
cast that included Charles Boyer it was not a great commercial success.
However, it is worth remembering for the theme alone.
The
final track on this album comes from another fine British film of the fifties
REACH FOR THE SKY. This was a film that told of the courage and fortitude
of that remarkable man Douglas Bader. Despite the disaster that befell
him Bader’s fighting spirit enabled him to reach for the sky and the music
of Addison acts as a perfect foil in a film that will long remain popular
wherever it is shown.
Geoff
Love and his orchestra play superbly to give us an album to remember. They
have recreated the atmosphere and moods of twelve different war films.
Atmospheres captured in music that range from the hot sands of Arabia to
the steamy jungles of Vietnam from the plane filled skies over Britain
to the tank filled streets of Paris. Moods captured in music that cover
the excitement, the tension, the drama and even the humour that is to be
found in these stories.
Some
of the most exciting film themes ever to be written have been for films
about the war. This album presents twelve of the best.
F.W.